Tag Archives: postdocinleuven

Outreach photos with the MAIA CCD camera at the Mercator Telescope

When we go to work at the Mercator Telescope, 20% of the total observing time can be used for our own purposes. In the past this helped me to get additional spectra for my Kepler stars, but it also made it possible for me to help out my collaborators when they needed some extra observations. During my last observing run though, I spent a large portion of this time on making “pretty pictures” with the MAIA camera, resulting in a nice collection of outreach-ready images that the Institute of Astronomy can use in the future for PR. This post is a small how-to guide for making similar images.

1. Planning the observations

To be able to select a suitable target, you need to be familiar with the specifications of the instrument. MAIA is a simultaneous 3 channel frame-transfer CCD camera, meaning that as long as the exposure time is 44 seconds (it takes this long to read out one full frame without using windowing) or longer, it can take exposures continuously and simultaneously in three different channels. It has a chip size of 2k × 3k pixels, and a field of view of 9.4′ × 14.1′, which translates into a resolution of 0.275″/pixel. The three channels are r+i, g, and u (which can be though of as red, green, and blue, and they are labelled as R, G, and U in the system).

To select a target you also need to know the sky. You can use free software like Stellarium to see what objects are visible at a given time and position, just do not forget to actually set your location to the Roque de los Muchachos Observatory (and maybe install my Mercator panorama to really see what you would when standing in front of the observatory building on La Palma). If you want to search in a database, then the one of the Saguaro Astronomy Club is a good resource. You will want a target that is between 3′ and 9′ in size (or larger if you do not want to have the whole object in the field of view). 99% of targets this size will be perfectly suitable for MAIA, so you do not need to worry about their brightness.

You need to avoid bright stars in the field, because using an exposure time of 45 seconds stars that are brighter than 10-11 magnitudes (depending on the seeing conditions) will saturate the CCD and will cause vertical stripes on the final image. You can either use Stellarium, or the desktop client of Aladin to prepare the framing of your image, then record the central coordinate very precisely and use it later on for the pointing of the telescope. The pointing model of MAIA is spot in, so if your coordinate is precise, your target will be in the middle of the frame.

2. Imaging with MAIA

At the beginning of the night you need to take a set of calibration frames for MAIA too, most importantly sky flats. These are standard series, you can pick them from the Scheduler GUI, just pick the month, the time of the day (evening), and leave the default series of 10 U, and 10 R as they are fine like that. Start the sequence when the GUI says that there is ~40 minutes left until the start of the night, then the sky will be dark enough already for the U frames. Do not forget to stop the tracking of the telescope after pointing, this way stars will move across the field and their trails will be thrown out upon calculation a median flat field. You can take bias and dark frames too, or use the prescan area of the CCD to calculate these values (I do this, and for the pretty images, this is definitely satisfactory).

Do these kind of outreach observations preferably when there is a gap in available targets for the actual science programs, so you are not wasting valuable science time. For the object frames set frame transfer on (this puts a lower limit on the exposure time and thus on the brightness of the brightest unsaturated stars as already mentioned earlier, but saves a large amount of time). Focus the telescope. For pretty pictures a good focus is much more important than for time-series photometry! In the Focusing GIU start from thermal focus position minus 0.05 mm, do 3 measurements on both sides with a step of 0.02 mm (larger if seeing is worse), and keep an eye on the images in the ds9 window (use log scaling for better clarity) while the focus sequence is being done. Sometimes the fitted parabola in the GUI is not very precise (especially in U), but during the process you can easily see by eye when the sharpest – most circular – stars were achieved. Set that position in the focus GUI, then unselect the “thermal focus after each pointing” in the Scheduler GUI.

When setting up the exposures, use a series of 4-1-1 for U, G, and R. This means that by setting an exposure time of 45 seconds, you will get one U exposure of 4 × 45 (180) seconds, and four 45 second exposures of G and R each in one exposure repetition. There are some bad columns on the CCD especially in R, so to make life easier I suggest to use dithering, meaning that after a few exposure repetitions you need to move the telescope 3-5″ (or ~1 second) in RA (since the bad columns are along equal RA meridians), and you need to do this at least 2 times for one target. As a result later on when we sync up the frames based on the stars’ positions, the bad columns will not always fall on the same part of the sky, so calculating a median will get rid of them very easily. You do not need to have the guiding on during these observations, as tracking alone is perfectly good enough when the exposure times are so short.

My suggested setup is: 3 exposure groups (dithering of 3-5″ between these) of 5 repetitions each (3 × 5 × 1 U, and 3 × 5 × 4 G, and R frames), which adds up to a total exposure time of 2700 seconds per channel (in 20 and 60 subs of 180 and 45 seconds per channel, respectively). You can use the field rotator for better framing, but do not forget that if you set it to 90 degrees, then dithering needs to be in the declination direction instead of right ascension.

3. Data reduction

When the observations are done, we can start with the data reduction. Just like when working with science data, we first need to calibrate the object frames (to remove artefacts coming from the spatially non constant sensitivity of the CCD chip and dust in front of the detectors). You can do it with your own software/script, or you can simply use a python script I made to automate this step. The only thing you need to remember is that calibration needs to be done channel-by-channel, and that the MAIA fits files always contain three channels, but not always all three are useful. For example during sky flats some files will only contain U channel data, others only G and R. Similarly, object frames will most often only have data in the R and G channels, as only every fourth exposure will contain all three channels (since we set up the exposures this way).

If you want to use my script, just copy all *_FFS.fits and *_OBJ.fits files in the same folder where the reduceMAIA_PR.py file is, and run it in terminal simply by typing “python reduceMAIA_PR.py”. This will create a master flat frame for each channel, and three processed fits files for each OBJ file (one per channel). The script calculates the bias and dark currents from each object file’s prescan area, so it does not need *_BIAS.fits and *_DARK.fits calibration frames. Important note: do not use this script for science data reduction as it is, but use line 164 instead of line 163! I am “cheating” during the flat-fielding of the U channel, long story short, I had to do this to fully remove the remnants of the strong background pattern even at the very low signal level. I have ideas why the proper flat-fielding does not produce fully satisfactory results in the U channel without this “cheat”, but I don’t have time to test it out, and it already works fine enough for the purpose of making pretty images.

Here is a comparison of a raw OBJ frame, the master flat fields, and the calibrated exposures.




4. Image processing

So how do we get to a single colour image from these monochrome frames? The main purpose of taking 60 subs and not a single 2700 second exposure photo was a) lowering the noise, and b) avoiding saturation of the (brighter) stars. We need to integrate these subs (60 or 20, depending on the channel) together, then use the three master channels to create the colour composite. The main difficulty: the optical path to the three CCDs is different, so the stars in the three different channels are at slightly different positions, and it is not a linear transformation to go from one frame to another.

I use AstroPixelProcessor (APP) for the following steps, and since there is a 30 day fully-functional trial version, you can always download it when at the telescope to experiment with it during your observing run. It is a very self-explanatory software package with a good amount of on-line and in-software documentation/help available, so I am only going to summarise the steps of my workflow, instead of going into extensive detail.

Work plan per channel: find star positions (in APP: “Analyse Stars”; for U you should set the sigma to lower if it does not find enough stars), shift and transform images to a common frame (this is to correct for the dithering jumps and guiding shifts, in APP: “Register”; might have to set pattern recognition to triangles if there are too few stars in the frame), integrate separate frames together (in APP: “Integrate”; median for R to get rid of the bad columns, average with simple sigma clipping as outlier rejection for G, and U), save integrated image to a fits file.

Here is the comparison of a single raw image and the integrated image for the R channel.


Work plan with integrated channels: find stars, shift and transform images together (in APP now unselect “same camera and optics”, and possibly select “use dynamic distortion correction”, plus if the number of stars in U is not very high, select the U channel to be the reference frame), save aligned channels one-by-one as fits files.

As an illustration, here are the two other integrated channels too (G and U).


Work plan with fully aligned integrated channels: in APP under “Tools” use the “Combine RGB” button to load in the three files that you saved in the previous step, set the R, G, and U channels to R, G, and B colours, and process to taste. You can play around with the curves, saturation and other settings later in other image processing applications too (e.g., Adobe Lightroom), for this, save the colour image from APP as a 16 bit TIFF file. If you used my python script for the reduction, flip your image vertically to get a true-to-sky orientation.


The rest of the photos I made with the MAIA camera can be seen after the click below (to save bandwidth), or towards the bottom of my flickr albumContinue reading

DSLR astrophotography from La Palma

I was lucky enough to get one last observing run at the Mercator Telescope on La Palma, so I spent another eleven nights at the telescope last month, bringing up my totals to 139 nights there (and to 232 overall at international observatories). Since my contract at the Institute of Astronomy ended on the 30th of September, this number will not change anymore :(

Anyway, to make the most out of my last payed trip to the Canaries, I decided that it was time to bring my heavy duty photography equipment with me again, but instead of shooting more time lapse movies, I wanted to do some more serious astrophotography, so I also bought (and then brought along) a compact sized motorised equatorial mount (a Sky-Watcher Sky Adventurer). I mounted the tracking mount on my good old Manfrotto tripod, and used an extra Manfrotto ball head to support and enable easy pointing of my Canon EOS 6D. You can also see the Canon TC-80N3 timer I was using to automate the image acquisition sequence so I did not have to press the shutter release button every two minutes. (Small note: I enabled mirror lock-up and used the 2 second self-timer setting in the camera, so when the TC-80N3 timer gave the signal, the mirror locked up, and 2 seconds later the actual exposure started, eliminating any unwanted vibration from the movement of the mirror. This meant setting an exposure time of 122 seconds on the TC-80N3 timer when I wanted an actual exposure time of 120 seconds.)


While I have done some very basic astrophotography before (and of course time lapse videos), I never had a tracking mount, so I was always limited in terms of exposure time by the Earth’s rotation. Also back then my DSLR was a Canon EOS 7D, that had worse noise levels than my current Canon EOS 6D, which meant that I could not really go above ISO 1600… But now with a better camera, a tracking mount, and a good amount of research before my trip, I was ready to step up my game.

My first few nights were lit by the bright Moon (I arrived just the day after Full Moon), so I spent the short amount of dark time before moonrise to experiment with the mount, my two lenses, and the camera settings. It took me four nights (of very little dark time) to figure everything out, but starting with my 5th night, my camera was outside from the beginning of the astronomical twilight until moonrise (which happened later and later as the days went by). I found out that I prefer taking more zoomed-in photos, so instead of using the Canon 16-35mm f/4 L IS USM lens, I went for the Canon 50mm f/1.4 USM lens. None of these lenses are really made for astrophotography, meaning that wide open they have a pretty bad coma towards the corners of the image on a full frame sensor, therefore I had to stop the lens down to f/4 to get a result that I was happy with. I used ISO 3200 (after reading a lot about ISO levels for astrophotography here), and an exposure time of 120 seconds (to expose the images to a good overall brightness). As a comparison, in 5 to 10 seconds the stars would already move away enough (thanks to Earth’s rotation) that they would appear as short lines instead of circles on the photo without a tracking mount, (see, e.g., my attempt from a few years ago here). After a good polar alignment (which was pretty uncomfortable with such a low mount, but I managed), I had zero issues with the tracking. Even after one hour, there was basically no shift in the stars’ positions, so I was very happy with the whole setup.

To make one picture, I took 30 to 50 120 second exposures of the same spot of the sky (accounting for a total exposure time between 3600 and 6000 seconds), and also ~30 dark and bias frames for proper calibration (no flats since I have no dirt on my sensor, the vignetting at f/4 is negligible, and taking properly illuminated flats with a DSLR is a mess anyway). Then I processed these in AstroPixelProcessor (really great and pretty much self-explanatory software, with a 30 day trial version!), and at the end I saved an average (or median) image to improve the signal to noise ratio of the images. Finally, I used Adobe Lightroom to do some final adjustments mostly on the curves and colour of the photographs. To show how much this process means for the results, here is a comparison of a selected region from a final processed image, and the same area from a single 120 second unprocessed RAW exposure out of the 30 that were used to create it.


It is a quite impressive improvement. I liked doing this so much that I would definitely get more into astrophotography if I did not live under one of the most light polluted skies of the world here in Belgium… :D :( Anyway, below is a selection of the images I made on La Palma, and you can find more on my Flickr (at even higher resolution). Since even these 8 resized to ~50% weight in at ~40 MB, you will have to click after the first one for the rest.

1) The centre of the Milky Way, looking towards Scorpius, Sagittarius, and Ophiuchus, with Saturn in the very centre of the image, and many bright and dark nebulae visible around the field of view. A sum of 30 exposures of 120 seconds each.

20170912-3606s Continue reading

Between the end of the road trip and the end of the summer

Tomorrow I am flying to La Palma for a last observing run at the Mercator telescope, so maybe this is a good time to write a short summary of the past one and a half months. After coming back from Scandinavia we spent a weekend in Zeeland. Here I had a great (and pretty fast) ride around the Oosterschelde, enjoying the amazing bike infrastructure of the Netherlands, then on the evening we had delicious mussels with fries overlooking a small harbour. As usual, I did some kiting too before driving back to Leuven on the following day.

I did not work too much on the Leuven Sky Atlas lately, except for a few refinements, but I ordered a bunch of other sky atlases to be able to make a better comparison to them. So now I own all the sky atlases that I would have loved to have when I was an active amateur astronomer more than a decade ago… I would actually like to be more involved again, as astrophotography really interests me, but the Belgian climate plus the high amounts of light pollution are far from optimal for it, not to mention it would be another pretty expensive hobby.

I sent in my first job application outside of astronomy too, but after I am back from La Palma I will have to be a bit more active on the job market, because my contract at the Institute of Astronomy ends on the 30th of September, and while I would like to have some time to finish and publish my star atlas, I would not like to stay without a job for too long afterwards. So, if you are looking for someone with experience in data analysis, data visualisation, or you just need a business parter to start up a cycling cafe in the Leuven area, I am available :)

At the beginning of August I have been taking care of our friends’ cats for a week, which was really nice, and they loved me even after they got fed ;) Thanks to Clio we were VIPs on the roof bar of the Museum of Leuven for one evening during the Midzomer festivities. Here we had dinner while listening to a concert, then we ended the evening with a walk around the exhibitions of the recently renovated museum (which was actually my first time inside).

During one of my standard evening training rides the wind direction was perfect to try to get the KOM (king of the “mountain”, or simply the best time on a given stretch of road) on one of the sprint sections along the Demer, so after getting up to a good starting speed I opened my sprint. As soon as I started pedalling out of the saddle I felt a sharp pain at the side of my left knee, but I thought that it was probably just hit by a small stone or piece of wood that got picked up by my front wheel, so I kept pushing to actually break the previous record by one second (completing the section in 34 seconds at an average speed of 57.5 km/h, reaching a heart rate of 195 bpm for the first time in 2 years). During the last seconds of the effort the pain got more intense, and as soon as I stopped I could see the bee sting hanging out of my skin. I pulled it out, and kept the rest of the ride on a low intensity. My previous similar incident with a bee happened before we had internet (somewhere in the early nineties), but luckily I had no severe reaction to it this time either.

We also had our yearly summer holidays in Budapest. Besides enjoying the usual cocktails and cakes all around the city, this time we drove to the Mátra mountains. We visited the highest point of Hungary (1014 metres ASL), then the tourist center of Galyatető for lunch and to climb up to the new lookout tower, and on the way home the Royal Palace of Gödöllő for a small walk in the gardens. Clio finally got to enjoy some actual summer temperatures with three days between 33°C and 38°C before the weather got back to normal. Getting home was not very smooth, because first of all on the morning my parents’ car had a flat tire that we only noticed a few minutes into the drive towards the airport, so we had to call a last minute taxi, then the ground crew at Brussels Airport went on an unannounced strike, so we got a three hour delay on top of this. Of course this meant that our one checked-in bag also did not make it from the airplane to the luggage claim area after landing, so we had to drive back to the airport a few days later to pick it up…


After a week off the bike the first time back in the saddle on an evening training session at the race track of Zolder was very painful, so I requested a switch in the lineups for the 12 hours of Zolder (moving from our 2nd team to the 3rd, the “Fun Team”) for the following Saturday. The 12 hour race itself was really great, we had a lot of people and supporters under the Squadra Tornado tent, and my legs were also surprisingly good. I did two shifts for a total of a bit more than three hours with an average speed of 40.4 km/h. I managed to stay with the main peloton in both sessions, in the first half of the second one I even worked a lot at the front of the group, and closed several gaps to small breakaway attempts (then almost got dropped because I pushed myself a bit too far, but luckily I managed to hang on). Our best team finished just below the podium, while we ended up at a 40th position overall (out of 207), and 4th (out of 12) in the under 40 team of 8 category. I was really happy about being able to stay with the fast group the whole time, for me that was already a huge success! The great legs stayed with me for a few more days, closing the summer season with a good ride on the Vlierbeekriders Classic.


On the gaming departement, I am playing The Legend of Zelda: Breath of the Wild these days on the Nintendo Switch, and I love both the game, and the portable console.

I have loads of plans for La Palma, so maybe there will be a few more interesting posts again.

May and June of 2017

This is just the usual summary of recent events, outside of the more important ones that I have already covered in a few separate posts on the blog. One of these is that the blog turned 10 years old in June! I have been writing here for almost 1/3 of my life…

First of all, cycling: after coming home from La Palma I was not really in the mood for cycling for a while, and one of the main reasons was the bad weather. It is not unreasonable to ask for weather that is warm enough to put the winter outfits away at the end of April, right? Luckily while visiting the Netherlands with my parents, spring finally arrived for good, and the temperature in the past two months (at least when I was out riding, with an average of 19.5°C and 19.6°C) was even better than in the same period of the previous 3-4 years! Belgium is in the middle of a quite significant drought right now, so rain was not an issue either. As a result I had my third best month on the bike ever with 1399 kilometres in May (including nearly 11000 metres of elevation gain, which is a best when not counting months when I was riding outside of Belgium, and almost exactly 50 hours on the bike, which is good for a fourth place overall in my cycling career).


I started by doing the Tour de Namur, where after 100 very strong kilometres I lost all my power and felt like dying on the climbs, therefore the remaining more than two hours were really difficult, maybe because I did not bike for almost two weeks before that, or simply because I was way too hot with arm warmers and a merino base layer in 22°C… That was stupid, but it was only 8°C at the start!


Then a week later on the usual Saturday morning Squadra Tornado group ride I had very good legs, so I made some extra plans for the following week. Mainly thanks to taking a day off from work and going to the Ardennes for a 140 km loop over the highest point of Belgium (which by the way was really beautiful, but after 100 km I was dead again, thanks to the wind and the 30°C), this became a week of 475 km on the bike (with 4400 m+). Far from being on the podium, but a good one nevertheless (and likely my best for 2017). Then I was crazy enough to join Willem for a sprint training on one of the evenings, which was on one hand pretty cool (because I love sprints), but on the other hand I was so empty by the end, that when I arrived home Clio was worried that I would pass out on the couch. (I was just fine. Really.) Two days later I rode the Buurthuis Classic with Steven (Willem’s brother, who is probably going to kick my ass too after another year on the bike), but I could still feel the sprints in my legs. To keep things interesting I also did some off road biking here and there, and a few chill rides too, once even involving cake and coffee in Mechelen. Finally, last Saturday I did the first 200+ km ride of the year by doing the longest version of the Ti’Light Classic, extended with biking to the starting point in Tienen and then back home from the finish, making it a nice 219 km day. It was a great ride with good legs, until reaching the 150 km mark I was not tired at all, and only the last 25-30 kilometres were difficult, fighting alone against the headwind. This week it is basically too hot to bike (but I still went out on two evenings).


In the good weather we also had a BBQ (thanks for inviting us Lies and Willem), cocktails in the city centre, ice creams on a boat, and I made my first non no-bake cheesecake (it was delicious). Moreover, we went to cheer on one of Willem’s many races, and I took some photos too, a few of which turned out quite OK ;)


The end of another Premier League season arrived for Liverpool FC and I had a few nervous moments during the last weeks of it (because it would not be the “Liverpool Way” if there was nothing to worry about until the second half of the last game), but at the end everything turned out OK. They kept a clean sheet during the last 4 games while scoring 8 goals and collecting 10 out of the possible 12 points, and the team finished in the Top 4. This means that next season they will be in the  Champions League again (assuming they go through the play offs)! Also, the new jersey looks awesome (back to the classical Liverpool red).


Concerning work, I took over the twitter account of the institute, I organised (delegated all the work to others) the open door days, and coordinated our outreach group during the past months. I think we are doing all right, but if the institute had an actual employee to do this as a full time (or 50%) job, things could be improved a lot.


We are leaving on a road trip to Scandinavia soon, and I am planning on posting a few pictures along with a short text every day here, so the blog might get busier for a while again :) Thanks for reading!


The Leuven Star Atlas – making a publication-quality stellar atlas from scratch

1. Motivation

I am a professional astronomer who loves maps. But let me start with a small background story: I joined the Hungarian Astronomical Association in 1999 (the year of the great European total solar eclipse) at the age of 14, just after receiving a 76/700 Newton reflector from my parents for Christmas. Even though my love of astronomy dates back to long before that, joining the HAA was the start of my actual amateur astronomy career. I went on youth astronomy camps, where I tried to find as many Messier objects as I could under the dark rural skies of the Mátra mountains (besides regularly drawing sunspots and observing variable stars whenever I could), and for this I definitely needed a sky map.

Back then – just like 99% of the Hungarian amateurs – I had no money to order any of the nice star atlases from abroad (e.g., the actual edition of Uranometria 2000.0 was definitely high on my wish-list, but always way over my budget), so I used mostly the AAVSO charts for variable stars, and an “atlas” that I printed at home using a free version of the SkyMap Pro software. It took a few years until I managed to buy a proper atlas, thanks to the release of the “Égabrosz” in 2004, which was the first professional-quality sky atlas produced in Hungary. It was (and still is) a great black and white atlas positioned somewhere between Uranometria 2000.0 and Sky Atlas 2000.0 (based on its limited magnitude and resolution).

My practical participation in amateur astronomy ceased to continue soon after I started my university studies, and moving under the heavily light-polluted skies of Belgium did not help to reignite my interests later on, but I always kept my fascination towards mapping (the night sky), and I always wanted to make a proper (sky) atlas myself. Now that I know quite a lot about astronomical data, and I know how to make nice plots using the python programming language, I though the time was just about right to actually try and see if I can really make one. How difficult could it be, right?

2. Introduction

My goal was to produce a publication quality, both practical and visually pleasing star atlas aimed at amateur astronomers. To do this I had to first study the atlases currently available on the market, because I did not want to reinvent the wheel. Here is a non-complete list of the probably most widely-known atlases on the market:

While there are also a few free well-known atlases online:

Each atlas has their pros and cons. It is beyond the scope of this post to compare these atlases (but you find a nice comparison here, the text is in Polish, but the numbers and pictures are more important anyway), but there are a few things to consider when planning a new one. These are:

  • Format (size, number of pages)
  • Grayscale or colour
  • Legibility (colours, font types, label placement, print quality)
  • Resolution (scale in cm per degree of declination)
  • Limiting magnitude (typically 7.5 – 11.5)
  • Database and selection of non-stellar objects
  • Representation of objects (marker shapes, sizes, etc.)
  • Consistency (especially colour, line width, and font size)

I wanted to mix the best ingredients of these atlases, building around these main ideas:

  • A layout similar to the one of Uranometria 2000.0
  • Colours similar to Interstellarum Deep Sky Atlas
  • Milky way contours similar to Sky Atlas 2000.0

And then add the following refinements / improvements into the mix:

  • Slightly larger field of view (FOV) than in Uranometria 2000.0 with the full sky on 344 A4 – or alternatively B4 – pages (1.6 cm per degree or 1.9 cm per degree)
  • Non-stellar objects are printed to scale (down to a cutoff size), line width and fill colour relating to the actual brightness
  • Legible colour scheme: avoid using red since it is invisible under red light
  • Precise Milky Way representation (unlike in any printed atlas)
  • Clever navigation between pages
  • Hand-drawn bright and dark nebula outlines from scratch
  • Nice custom typography
  • Vector graphics
  • Automated label placement
  • Automated compilation of the full atlas by a press of the button
  • Flexible script (change FOV, magnitude limit, colours with ease)

I will go over all these aspects in detail in the following section and explain step-by-step how I built the atlas. As it is not 100% done yet, I will also note down the features that still need to be completed or refined in the (hopefully) near future. I started working on this during the first days of March, and by the middle of April most of the things that I am going to discuss here were done. Since then I spent less time on the project and took care of minor refinements only.

3. Practical execution – techniques and design aspects

3.1 Python setup

I am using a very basic setup installed via Canopy. My main environment is python 2.7, and I make use of the following packages extensively:

  • numpy for all kinds of data handling and numerical operations
  • pylab / matplotlib for all the main plotting operations
  • basemap for the mapping (takes care of the projection and the related transformations)
  • scipy for some specific interpolations and contours connected to the Milky Way
  • astropy and pyephem for celestial coordinate transformations

3.2 Source data

All databases that I am using are either publicly available from the internet (under various licences), or they are compiled by me from publicly available data (which is discussed in the following sections).

3.3 Custom, and compiled / processed databases

While some of the data can be used as is (for example the data of constellation boundaries and lines), most data needs to be first processed in a way or another before it is ready to be plotted. There are three large groups that need to be dealt with: stellar data, milky way contour data, and deep sky data (with a large stress on extended bright and dark nebulae).

3.3.1 Stellar database

Building the stellar database is taken care of inside the main plotting script (which will be discussed in detail in Section 3.4). Every time the script is executed, it checks if a precompiled magnitude limited stellar database is already available, and if not, it builds it from the databases discussed in Section 3.2. When the script is ran with a given magnitude limit for the first time, a new magnitude limited database must to be compiled, which happens in multiple stages (and at a magnitude limit of 10.0 it takes ~3 hours to complete):

  1. Tycho-2 data read in and magnitude limit applied (after computing V magnitudes from the available BT and VT magnitudes), magnitude limited Tycho-2 data saved.
  2. Bright Star Catalog (BSC) data read in, magnitude limit applied, names formatted to a pylab / LaTeX compatible format (so when annotating later on, proper Greek characters will appear automatically), magnitude limited BSC data saved.
  3. General Catalogue of Variable Stars (GCVS) data read in, stars in maximum dimmer than the magnitude limit thrown out, stars with an amplitude less than 0.1 mag (rounded to 1 decimal) are thrown away, and stars of some selected types such as Novae and Supernovae are thrown out, names formatted, then the remaining data is filtered and formatted, magnitude limited GCVS data is saved.
  4. The filtered GCVS data is used to update the filtered Tycho-2 data. First the GCVS coordinates are cross-matched one-by-one with the Tycho-2 coordinates (within 6″). There are three possible outcomes of this match:
    a) there are multiple Tycho-2 stars within 6″ from the coordinates of a given GCVS star (which happens sometimes in crowded areas), then we use the maximum magnitude information to match the Tycho-2 magnitudes, and update the best matching Tycho-2 entry with minimum and maximum magnitudes, the GCVS name, and a variability flag = 1
    b) there is only one match (which is the most common case), when life is easy, the GCVS entry is for that Tycho-2 star, so we add the magnitudes, the variable name, and the variability flag = 1 to the Tycho-2 entry
    c) there is no match (a rare case, but happens, e.g. when an irregular variable was much dimmer during the Hipparcos measurements then the magnitude limit, but on a longer period it can get brighter), then we need to add the GCVS star as it is to the compiled catalog, because it is not yet in the magnitude limited Tycho-2 sample.
    After this is done, the magnitude limited database with variability information is saved, and later on in the plotting stage stars with a variability flag = 1 will be plotted with a spacial symbol.
  5. In the next step, this database is updated with multiplicity information (in our case a multiplicity flag, and a separation value for the two brightest components). The reason for this is that for stars that appear closer to each other than a threshold (in our case this is set to be 60″), we do not want to plot each component, only the brightest one with a special symbol, which is common practice in stellar atlases. (Small not here: at this point, components that are closer to each other than 0.8″ are not included, but resolving stars that are so narrowly separated is practically impossible visually and/or without professional telescopes and exceptional weather conditions.) This is also done in multiple steps:
    a) stars are ordered from brightest to dimmest, each given a multiplicity flag = 0 to start with
    b) starting from the brightest we check each star one-by-one if there are other (dimmer) stars within 60″ from it
    c) if yes, then the brightest component (A) gets a multiplicity flag = 1 and the dimmer component(s) (B,…) get(s) a multiplicity flag = -1
    d) in the next steps only stars with multiplicity flag != -1 are tested as potential components, which means that, e.g., we will not identify a dimmer star later on as primary component when it was already found to be a secondary component of a brighter star earlier
    e) later on in the plotting stage only those stars will be plotted where the multiplicity flag is not -1, and from these the stars where the multiplicity flag = 1 will be plotted using a special symbol.
    When this is done, the data file is saved (now containing a magnitude limited Tycho-2 database that is updated with variability and multiplicity information). This step takes the longest time of all by a significant margin.
  6. In the last step this database is updated with names from the precompiled magnitude limited BSC file that was saved in step 2, similarly to how the GCVS entries were matched in step 4, but with a slightly higher tolerance in the coordinate match (to adjust for the possible apparent merging of multiple stars’ coordinates in step 5). Then this database is saved as the final stellar database of the atlas.

At this stage here is how a small section of the compiled stellar database looks like with a pair of coordinates, a pair of proper motions, a visual magnitude (which is a maximum brightness for variables), a variability flag, a possible minimum brightness (set to 99.000 for non variable stars), a multiplicity flag, a separation value of the brightest components for stars that have a multiplicity flag of 1 (otherwise set to 0.000), and a name (excluding the abbreviation of the constellation) in LaTeX format:


3.3.2 Contours of the Milky Way

One of the main new features of my atlas (compared to other atlases on the market) is the inclusion of the (as) precise (as possible) contours of the Milky Way on its pages. For this I had to make my own data. I started from the APOD of the Milky Way by Nick Risinger (for which I still need to ask permission if I want to get this atlas distributed). I scaled this up slightly to 3600×1800 pixels (to match the 360×180 degree size of the full sky with a 0.1 degree pixel size), converted it to grayscale, applied a star-removal filter, a small blur, and enhanced the contrast slightly. Then using python I converted it to an array of brightness data on the galactic coordinate grid, and after a coordinate transformation from the galactic to the equatorial frame I saved it in a numpy specific file format using the numpy.savez() function.

This specific format is needed because reading in a 150 MB ASCII file is too slow with numpy, and it would create a bottleneck in speed when plotting the atlas pages. I use this brightness data later during the plotting and display it using contours set at some cleverly specified brightness levels to create a both visually pleasing and highly-realistic image of the Milky Way. The results are very nice, e.g., one can see multiple brightness levels even inside the Magellanic Clouds (as it can be seen below, but for the sake of clarity plotted using stronger colours than what is actually used in the atlas).


I also tested if the coordinates of the original image were correct by repeating the same steps but without removing the stars, so one could actually see the stars on the contour plot too. In this experiment they lined up perfectly with the actual stellar data, confirming that the position data in the Milky Way image was correct.

3.3.3 Deep sky objects (contours of extended bright and dark nebulae)

The SAC database is a good starting point, since it has a great selection of objects that are accessible with a various range if amateur instruments. On the other hand, it has quite a few mistakes too, so I had to work on it a bit to make it more consistent and less messy. First of all I checked all objects that have an apparent size larger than 12′ (twice the cutoff size of my atlas) manually in DSS using the Aladin desktop client, and corrected sizes and/or position angles where I found it necessary (only a few cases). I also removed all duplicate entries from the database (which occurred with quite a few galaxies: many had multiple entries from different catalogues). I also decided to filter out those objects that had no useful/trustworthy brightness information (dropping mostly small open clusters that were barely identifiable on the DSS images anyway), and those open clusters that appeared too large on the scale of the atlas (typically the ones above 100′-120′, depending on the density of the field). Finally, I made sure that for Messier objects the Messier entry is used as name later on, not the NGC one. These were the easier parts.

The more difficult and time consuming part (taking around 40-50 hours) was drawing all bright and dark nebulae from the SAC database larger than 6′-12′ (meaning that 100% of the objects that are at 12′ or larger in diameter had to be drawn, and some of the smaller non-symmetric ones too), which I had to do manually, along with a few missing ones that I found worthy by looking through images in Aladin or by cross-checking with the selection on Sky Atlas 2000.0’s pages. (I am aware that there is a set of nebula outlines available online by Mark Smedley and Jan Kotek, but I did not find these good enough for my needs, and I did not want to copy other people’s data to begin with, because nebula outlines are one of those elements of an atlas that make it personal.) In practice I used Aladin to draw the contours of these objects with a mouse (I wish sometimes that I had a proper tablet and a digital pencil to do such things…), and export them as coordinate arrays.

For the brighter ones I tried to make the contours resemble the visual look based on drawings done by amateurs, while for the more difficult targets I went with the expected photographic outlines. It helped a lot that Aladin can create contour plots on the displayed images, leading my eyes while tracking the outlines. (For this I used the Mellinger Optical Survey and the DSS layers.) Some complex or large nebulae are drawn in multiple sections, for example the Vela Supernova Remnant in 22 pieces, IC 1318 in 14 pieces, and Sh2-240 in 42 pieces. Here is a rough example how this process looks like in Aladin:


3.4 Plotting one page of the atlas

There is one single python script that takes care of the plotting of a single page of the atlas (plot_map.py). At the moment it is 1545 lines long, and contains – among others – 16 custom functions (some of which will be discussed later).

3.4.1 Arguments and control variables

To control what and how is plotted by the script, I am using a small set of arguments, and a larger set of variables (that I like to call control variables). These are separate for a good reason. Arguments can be given (values) simply from the terminal when running the script, and as such they can be also set by a higher level python script when compiling the whole atlas (see Section 3.5). These set the centre of the field of view, the output format (vector – pdf, or raster – png), and optionally the page number along with the page numbers of the pages that show the field above and below (thus up and down in declination) the current page in the atlas. These last three are optional, and when not given the script will simply produce a sky chart without the extra formatting of an atlas page.


On the other hand control variables have to be set inside the main script, and they control the colours, size and magnitude limits, the different types of objects that need to be plotted, the field of view, etc. These stay the same for each page.


Later on when closeup charts and chart index pages are created I will save a different version for each (e.g., plot_map_closeup.py and plot_map_index.py), where the limited magnitude, and a few other things will be set differently.

3.4.2 Colours and typography

When choosing the colours I experimented a bit with different colour combinations, but the main principles were always the same. I had to avoid red because it is invisible when the chart is browsed using a red torch (and this is common practice, since red light interferes the least with our dark-adapted eyes), and I wanted colours that go well together, but are easy to distinguish. At the end I choose my palette from Google’s material design guide.

When choosing the individual colours, the following ideas were factored into my decisions. First of all, I wanted the Milky Way to be plotted as shades of blue, not only because that looks great in Sky Atlas 2000.0, but also because the most prominent structures in a galaxy – the spiral arms – consist of young massive stars, and they are predominantly blueish in colour. As a consequence all galaxies had to be plotted in blue. Groups of stars are yellow as in most other colour atlases, but globular clusters are orange, since these are dominated by old(er), low-mass stars, and thus their light (spectrum) is more shifted towards this colour. Planetary nebulae are green, because the strongest emission line in their spectrum in the range where our eyes are the most sensitive is the [OIII] line at 500.7 nm, which appears to be green. Even though other types of bright nebulae might have different spectra (especially bright reflection nebulae), they are also plotted green (although a slightly different hue) to stay consistent. Stars are black and map-related lines are different shades of grey.

Outlines are always darker than the fill colours, and while the outline colours are constant, the line width and the opacity of the fill depend on the magnitude of a given object. Labels are always the same colour as the labelled objects’ outline.

I am using the Open Sans font family throughout the atlas, this is a nice, free, slightly narrower than default sans serif font with an extensive set of glyphs (including all necessary accented and Greek characters), that provides excellent legibility in many font sizes and weights (of which I am using the regular and bold variants).

3.4.3 Vertical layering

One important thing to handle when printing the chart is the vertical layering (or hierarchy) of the different object types, but also the vertical layering within a given object type. This way we can avoid larger objects overlapping – and blocking from view – smaller ones. Therefore, for example, the Milky Way needs to be plotted under everything else, dark nebulae need to be plotted over bright nebulae, small galaxies need to be plotted over large galaxies (otherwise, e.g, M 32 in the Andromeda Galaxy would not even be visible), stars need to be plotted over deep sky objects (so they are not covered by extended objects), and dim stars need to be plotted over bright stars (otherwise some dim stars close to bright stars could be covered by the larger disk of the bright star).

Placing different object types on different vertical layers is taken care using the zorder keyword inside any king of plotting command in python, while the required hierarchy within a given object type is ensured by sorting the objects according to size (from large to small, or from bright do dim in the case of stars), which means that when they are plotted by a plotting routine later on, they will be plotted according to the order they were sorted into. There are some special cases where the plotting order of open clusters and bright nebulae needs to be flipped (where a larger open cluster includes a smaller bright nebula), but this is also taken care of with a zorder-modifier value in the database of the hand-drawn nebulae, which effectively moves the given nebula to a layer above the open cluster.

3.4.4 Setting up the page

Before plotting any celestial data, we need to set up the plotting environment to be able to work with celestial coordinates. As already mentioned before, I use the basemap library to do this:

map = Basemap(projection=’stere’, width=fov_ra, height=fov_dec, lat_ts=central_dec, lat_0=central_dec, lon_0=360-(central_ra*15), celestial=True, rsphere=180/math.pi)

By using the celestial=True setting we make sure that we use the astronomical conventions for longitude (negative longitudes to the East of zero), and by setting the radius of the sphere to be 180/pi we can give the horizontal and vertical size of the area covered in the projection in degrees.

Like most celestial atlases I also use the stereographic projection. This is a conformal projection, meaning that it preserves the angles, but it does not preserve distances or areas. (There is no projection which would preserve all of these.) While indeed towards the edges equal distances seem to get larger, this effect is practically negligible at zoom levels that are used in a celestial atlas like this one.

After the map environment is set, we need to draw the grid of latitude and longitude lines (using the ICRS frame and a standard J2000.0 epoch), and I make sure that none of these lines get too dense as we get close to the poles, by tapering selected meridian lines before they reach the poles (see below). The density of the labelled meridian lines is also set by the distance from the pole, so labels never get too dense around the edges of the map area.

After the celestial grid is set up, I draw the ecliptic and the galactic equator along with the ecliptic and galactic poles, and small tick markers for each degree along the equator lines. Drawing the equators is very easy, one just needs to transform a constant (ecliptic or galactic) latitude = 0° line from ecliptic or galactic coordinates to equatorial coordinates, and plot the resulting array as a line. When drawing the poles, I draw their X shaped markers from two separate perpendicular lines (crossing at the poles) which point towards longitudes 0°, 90°, 180°, and 270°, this way, e.g., when looking at the galactic poles the reader can see how the galactic coordinate frame is rotated very differently compared to the equatorial grid.

As we are trying to produce not only a simple sky chart but a page in a stellar atlas, we also need to plot page numbers, navigation aids, and a legend box. Page numbers are plotted in the top and bottom outside corners (from a double page point of view) , which makes it easy to flip through the atlas when looking for a page number. There is also a special navigation bar plotted along the outer edge of each page. This navigation bar shows the central RA coordinate of the page, the minimum and maximum declination values of the page, and also the page number(s) of the closest neighbouring page(s) in declination (a.k.a. the pages above and below the current field). The location of this feature along the edge of the page depends on the central declination of the page. This means that just by looking at the edge of the closed atlas, or while flipping through it, the user can immediately see which region of the sky they are heading towards from the position of the navigation bar. (For example, on a page towards the North Celestial Pole this bar will be near the top of the edge of the page, while for pages around the Celestial Equator it will be at its centre.)


Creating the legend box gave birth to probably the most interesting solution (in terms of coding) in the production of the atlas. In the following sections I will show that I set the size of all objects on the map using angles (angular diameters), and not by using marker sizes (in points or pixels) as done by default in python. This is very useful in the main map area of the page, but it meant that I had no idea how large an actual marker was when not working in a map instance. Therefore I could not simply create a simple subplot below the main map area and place the different symbols and their keys there without writing transformation functions to make sure that the size scales between the legend area and the main map area match. Instead of this, I created a 1 degree tall subplot with the same basemap settings (so also the same width in degrees, resulting in the same scale) as the main map area above, meaning that I could use the same functions and scales to plot objects here as I do in the main plot. Creating the legends themselves afterwards was only a question of placing a set of given objects next to each other, making sure that they are properly spaced, and that their labels are at the same horizontal levels. Odd and even pages got different legend boxes, so a double page always shows a full set of legends (stellar objects and lines on the left hand page, and deep sky objects on the right hand side – see examples later on).

I do not want to discuss all the remaining details here, but every piece of text (e.g., page numbers, the numbers in the navigation box, etc.) is aligned with other lines or texts in a very strict way to ensure symmetry at all times, no matter what area of the sky is being plotted. There was a very large effort put into this, even though the reader might not (consciously) notice these fine details.

3.4.5 Plotting stellar data

I have written one single function to handle the plotting of stars, from the simplest single stars to multiple variable systems with high proper motions:

draw_screen_star(ra, dec, pm_ra, pm_dec, pmlimit, mag, maglimit, map, double=0, sep=0, variable=0, vmin=0, facecolor=’k’, edgecolor=’w’, zorder=90)

Stars are plotted from bright to dim as mentioned earlier. All plotting is done in map (sky) coordinates, meaning that the symbol sizes are given in degrees, and there is an inverse linear scale between symbol radius and magnitude value. All stars are plotted with a white edge, so if symbols of nearby stars overlap, they remain nicely visible.

The width of this wide edge is set to be the narrowest well visible line width in print (matching the width of the lines of the celestial grid), while the smallest stars’ size is set by the symbol of the dimmest variable star (where the black central region needs another white filling, which must be still well visible). The size of the largest star is set to be aesthetically pleasing (not too small so bright stars can be well differentiated from dim ones, but not too large so they do not became overly extended). This also sets the other fix point of the linear magnitude scale. On the figure below you can see various tests of the star plotting function, with one notable example of a set of stars plotted on top of each other where the magnitudes range from -2 to 10 with a step size of 1 (resulting in a nice well separated pattern).


In practice, taking the example of a variable double star (where the star is also visible in minimum, so, e.g., the 3rd star from the left in the row of multiple variable stars), this is how the star symbol is created: first a white circle is plotted and a white bar across (these will be the white outlines), then a narrower black line (corresponding to the separation of the brightest components of the multiple system) and a black circle with a smaller radius (corresponding to the brightness of the variable star in maximum), followed by another white circle with a smaller radius (the inner fill of the variable), and finally a smaller black circle (with a radius corresponding to the minimum brightness of the star). If the star has a high proper motion, it is also plotted with an arrow in the background. In summary, the symbol of a star is built from a set of pylab.patches (circles, polygons, and fancyarrows).


Not strictly speaking stellar data, but I note here that constellation boundaries and stick figures are also plotted using simple lines. It is worth noting that to avoid plotting the overlapping sections of neighbouring constellations’ borders twice (which could introduce artefacts in the representation of dashed lines), I am using a version of this data where the duplicate line sections were removed.

3.4.6 Plotting non-stellar data

Similar to the stars, all deep sky objects are plotted in sky coordinates using specific functions that I have written for each different object type so I can feed sizes in arc minutes into them. The symbols are again made from various pylab.patches (ellipses, wedges, and rectangles) inside these functions. As an example, the symbol of global clusters is made out of four wedges that have a 90° opening angle (instead of trying to draw a nice cross inside a circle, which believe me is not as easy as it sounds). But outside of the function drawing a GC looks simply like this:

draw_screen_gcsymbol(ra, dec, size ,map, **kwargs)

Objects are plotted to scale when larger than a cutoff size (6′ in the LSA), otherwise they are plotted at given (smaller) fix sizes depending on which size-bin they fall inside the category. As mentioned earlier, the edge line width and the fill colour represents the visual brightness of a given object. The orientation (position angle, or PA) of galaxies is plotted true to reality, and to do this the local North had to be calculated at each position in the map (with a small function), which was then used to correct the PA coming from the SAC catalog (since on our map North is only ‘up’ along the central longitude of each page – except for right above the North and right below the South Celestial Poles, where the apparent direction of North along the central meridian is inverted).

I have kept most of the classical symbols, with the exception that planetary nebulae that are larger than the cutoff size (so planetary nebula that are plotted to scale) are plotted with a doughnut symbol (symbolising the classical PN look). Size bins were chosen so they are more or less equally populated by the smaller objects.


3.4.7 Labelling objects

The last large task in creating a page in the atlas is labelling all plotted objects. My original goal was a fully automated setup based on the adjustText package, but this seems to be a much larger challenge to implement than first thought. The package works relatively well when labelling a set of small points or a set of objects that have the same size, but things get complicated when one wants to label a mix of patch objects (that have various sizes) and lines… Therefore after some experimenting I decided to put the automatisation attempts aside, and write a labelling graphical user interface (GUI). In any case even if the automated labelling would work, I would need this GUI to be able to make refinements in the label placements.

The main idea is that I run a slightly modified version of the original plot_map.py script (label_map.py, updated with the functions that make up the GUI), which produces an interactive version of the given page where I can just click on the labels (that are placed at the bottom right corner of each object by default as a starting point) and manipulate them. Using the GUI I can move labels (this way I can place them in a way that there is no overlap between objects and labels), I can make labels disappear (should a region be too busy for all labels to be visible), and I can even add in additional labels (to label the constellations, the poles, and the Magellanic Clouds – since they are plotted using the Milky Way contours and not as separate objects with their own label entries). When the GUI is run for the first time, all plotted objects are also fed into the

appendtolabellist(ra, dec, name, colour, size, rotation=0, visibility=1)

function, which builds a label table (from the names that were already available both in the stellar database and in the deep sky database) for the given page (placement positions, label texts, sizes, colours, rotation values – that are used for the labels of the ecliptic and galactic equator -, and a visibility flag), that I can modify with the GUI, and export it to be used by the main plot_map.py script. See part of such a label table below for a dense Southern part of Scorpion.


If the label table is available for a given page when the plot_map.py script is used, labels will be also plotted. The advantage of having an actual label table (so a file like labels_P_004.txt for Page 4) for each page is that I can also modify label texts and sizes manually to fine-tune details for the final version, without having to edit the original object databases.

Of course since now I have to move almost all labels around manually, it takes a while to make the label table for a page (even with a good default offset from the corresponding symbol, there are so many stars that the chance that the default placement will overlap with something is pretty big). In practice this can be anything from ~20 minutes to 2 hours depending on how dense the filed is… My estimate is that labelling all pages would easily require 300 hours of work. Or I need to come up with a clever solution and write an advanced function to move the labels around automatically, but this seems equally difficult to me right now. So for the time being I labelled 5 sample pages that can be seen in Section 4, and depending on the future distribution of the atlas (proper printed version or only on-line for free), I will see how much effort and what kind of effort I need/want to put into labelling the rest.

The animation below shows how the formatting and the different layers of objects come together to form one page of the atlas.


3.5 Plotting the whole atlas in one go

Plotting the whole atlas is taken care by a separate script called plot_atlas.py: this is only 91 lines long, and has a very limited amount of tasks to do. First of all it has a list of the central coordinates of the atlas pages (given as an equidistant list of declinations, and for each declination a list of right ascensions).


From this the script compiles the set of arguments that were discussed in Section 3.4.1 for each page by first building a list of page numbers and central coordinates, then calculating the closest (neighbouring) pages in declination (to North and South) for each page, which are stored as the pageup and pagedown values, respectively. Finally the script simply calls the plot_map.py script for each page – feeding the corresponding list of arguments to it – to initiate their production one-by-one (or four-by-four when using all available cores).

The whole process takes around 4 hours on my laptop (using 4 cores in parallel). This time could actually be still shortened quite significantly, because right now all data files (e.g., the magnitude limited stellar catalog, or the deep sky catalog) are read in for each page over and over again, instead of just keeping them in the memory after the first read in operation. This originates from the fact that the plot_map.py script is written as a standalone script that can produce a page of a stellar atlas or a simple star map from scratch (and even compile databases from existing databases as we have seen it earlier) if necessary, and not only as a plotter routine. I do not think that I will change this, because 4 hours for a full atlas is not a lot (and in practice you do not do this very often anyway).

At the end I have a tidy ordered set of pages in the output folder. The size difference between the different pages shows nicely which pages have a larger number of objects plotted on them.


4. Sample pages and statistics

At the current stage, these are the numbers for the Leuven Star Atlas (for more details, see Section 3.3):

  • Total number of stars: 361980 (down to and including magnitude 10.0)
  • Variable stars: 6998
  • Multiple (visual or physical) systems: 6411
  • Total number of deep sky objects: 8690
  • Galaxies: 6768
  • Galaxy clusters: 29
  • Globular clusters: 156
  • Open clusters: 644
  • Planetary nebulae: 742
  • Bright nebulae: 154 (of which 134 have hand-drawn outlines – many of these actually cover multiple NGC objects, thus the total number of plotted catalog entries is higher)
  • Dark nebulae: 197 (of which 163 have hand-drawn outlines)

The full sky is displayed on 344 A4 pages (1.6 cm per degree of declination resolution), five of which can be downloaded in pdf by clicking on the example rasterised images below.

Page 4: Northern Ursa Minor


Page 55: Cygnus around NGC 7000 (North America Nebula)


Page 113: The Pleiades and the border of Taurus and Perseus


Page 136: Galaxies in Virgo and Coma Berenices


Page 272: Southern Scorpius


5. Future plans

The atlas is at a stage now where most of the larger work-packages are already completed, but there is still some work to be done before it can be printed into a nice book. A lot depends on whether I can actually get this published. I am determined to finish it and have a few copies printed in any case for myself and a few friends, but without an actual publication deadline, this will probably not happen next week, or the week after…

These are the components that are still missing or need completion:

  • Labelling the remaining 339 pages. As mentioned earlier this could take me minimum 300 hours of work… (Or ~8 full time work weeks, or a year if I just do one page every day.)
  • Close-up maps of selected dense regions: this means that I need to compile a stellar database down to ~11.0-11.5 magnitudes (press of a button, I do not need to change anything in my scripts), and implement a zoom-in factor (a scale multiplier that could be 2, 3, or 4), which I can use to modify, e.g., the field of view, and the cutoff sizes of deep sky objects. I could do this most likely in a day.
  • Refinements in the deep sky object database: I still need to clean up a smaller mess in the Large and Small Magellanic Clouds, because I am not happy about the completeness of the database there (another day of work, but I have already drawn quite a few bright nebula there too), and I am also not satisfied with the number of galaxy clusters on the map right now, so I would like to extend that based on the original Abell+ data (I guess I could also do this in one or maximum two days). In general, a small extension might be necessary to the deep sky database in general, but this is up for some further considerations.
  • Nicer constellation stick figures (as mentioned already earlier). This will take a bit longer (1-3 days), because I have to build a data file for this from scratch, and it is 100% manual work.
  • Index charts: I need to create 6 pages (looking towards the poles, and the four cardinal directions) with a large field of view showing only the brightest stars, the constellations, and the borders of the fields covered by the individual atlas pages labelled with the page numbers, as these overview charts provide the basic navigation feature of any stellar atlas. To make this I need a stellar database down to ~5.5 magnitudes (press of a button), a function that draws the outline of the sky that is displayed on given atlas pages (maximum an hour of work), and some labelling, so in total this will not take more than a day again.
  • An introduction chapter describing the use of the atlas, object types, etc. Also an index to the most interesting objects (Messier, Herschel 400, etc.) pointing to the atlas pages that contain them. This will probably be work for a week or two, since it includes quite some writing and brainstorming about what to write in the introduction.
  • A nice cover page: I would like to have either something very classical, or a montage of a page of this atlas with a classical illustration of a constellation (from here). This design process will definitely take a few days too.

When all these points are crossed off the list, I will write another post to showcase the new features and the final atlas. Without the labelling work this could be done in less than a month, but I have holidays coming up, and soon I will also start looking for a new job, so I would not expect much before Christmas. Please if you have any remarks or suggestions, let me know in the comments section, I would highly appreciate it.